10.5.2012
The clearest
day to see Lamjung and compatriot Annapurna II.
At five am I can see car lights snake up to the view point where the
sealed road ends. Two to three hundred
people usually I am told. When the sun
appeared a big cheer rose. Morning skies
so blue they make me thirsty. Cleaning
out the reception room. Seven men took
the awkward and heavy case out and down to grandpa’s house. Much to my surprise there were old photos I
had matted and sent here via freight under a lot. I had a nice camera then. They are the clearest pictures I have, much
clearer than what I see on a monitor.
The carpet
is cut and fit and it’s nice enough to sit on or wrestle someone. I switched the glass bamboo table with an old
wooden one and covered it with a sarong from Sumatra’s Lake Toba. And on the window stands the Turkish woman
from Rise, she says hello to no one in particular. Her basket of green blades and three small
malt balls of end product sit at her feet.
Fatigue.
3:45pm. I
took ten seeds at 12:14pm and all I am is tired. What to do.
I took the seeds that Maya had put on a tin dish and have been in the
rain twice. I will take care of them for
the time being. I am using one of
Laxman’s walking sticks. Show me Al
Kaline’s swing again, eh? I could not
have used a stick for ABC. Maybe up
sometimes it would have been helpful, but in one hand I always had a bottle of
water and I liked to keep a free hand.
I’ve been
bugging the two for a couple of weeks now about a Ganesh painting I bought in
Varanasi three years ago. I still
remember sitting in the artist’s office surrounded by his addicted obsession
with painting, drawing anything to create the Ganesh figure. He created the one I bought from him, signing
it as well. I wrongly assumed Maya would
like it but they’ve hidden it and refuse to tell me if they threw it away or if
a rat ate it or it got wet after the usual crazy butt kicking storm to blow
menacingly through.
And we
couldn’t find a text book, in English and Arabic, a set of rules, guidelines
from an ancient text. I tell Laxman if
you can’t find it yet go the last place where all things eventually wind
up. Under your bed.
I should
invade their room and find the Ganesh.
I’ll hang it in room six and so they don’t care for it, that’s all
right, just give it to me.
A nice
sunset, the sun dipped behind clouds early and the rest of the sky and clouds
change a little red, orange, the mountains are hidden, the blue pall diminishes
depth. The tile men are finished and sit
at a table in the dining room. The
bathroom is covered, very nice. The
kitchen is complete, very nice. The
reception room is done. Clean up
continues, the painters are painting the bamboo chairs and low bed frames as
well as the wooden key chains.
Thunder rumbles
and continues onward. Two nights without
rain, a much cooler evening. No tourists
today. Like it was said before the
tourism business is like a roller coaster, one must be ready when the car
swings into your garden and every room is full and all the tables are
full. In the meantime there are three
gardens to tinker.
And finally,
Beem’s buffalo gave birth. Details
tomorrow.
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